Egon Schiele
1890-1918 Austrian Egon Schiele Gallery Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna. In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students. Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.

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Egon Schiele Peasants- Jugs oil painting


Peasants- Jugs
mk189 1918
Painting ID::  48005
Egon Schiele
Peasants- Jugs
mk189 1918
   
   
     

Egon Schiele Portrait of the Artist-s mother oil painting


Portrait of the Artist-s mother
mk189 1918
Painting ID::  48006
Egon Schiele
Portrait of the Artist-s mother
mk189 1918
   
   
     

Egon Schiele Autumn tree in a breeze oil painting


Autumn tree in a breeze
mk209 1912 32x32
Painting ID::  50215
Egon Schiele
Autumn tree in a breeze
mk209 1912 32x32
   
   
     

Egon Schiele Naked Self-portrait oil painting


Naked Self-portrait
mk234 1910 10x35.5cm
Painting ID::  53948
Egon Schiele
Naked Self-portrait
mk234 1910 10x35.5cm
   
   
     

Egon Schiele the embrace oil painting


the embrace
mk247 1917,oil on canvas,39.375x67 in,100x170 cm,osterreichische galerie belvedere,vienna,austria
Painting ID::  56503
Egon Schiele
the embrace
mk247 1917,oil on canvas,39.375x67 in,100x170 cm,osterreichische galerie belvedere,vienna,austria
   
   
     

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     Egon Schiele
     1890-1918 Austrian Egon Schiele Gallery Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna. In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students. Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.

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